My Wine Collection
Perrier Jouet Fleur de Champagne. Brut 1985

I bought a bottle of Perrier Jouet's Fleur de Champagne (I paid $74.95 for it) back in early 80's in memory of our 5th Wedding Anniversary and planned to uncork it when our 25th Anniversary comes. Unfortunately, in December 2004 I was diagnosed with a major health problem that required surgery. Our 25th Anniversary celebration had to be postponed. The precious bottle of Fleur de Champagne is still lying on the bottom shelf of our "buffet". I am writing this page today because on Friday, December 25th of 2015 I will uncork that bottle to celebrate Christmas and also to our 35th Wedding Anniversary.

Note: A regular bottle of champagne would still be good for up to about 10 years. But this very special, extraordinary Fleur de Champagne will last 20+ years (read Robert Parker's writing below). It's the best of champagne (Rate 93) of its kind. The current value of this same bottle from Amazon is $360. Mine is 30 years old! We will know how good it is when we drink it on Christmas.

DeNgo 12-13-2015

 

 


Hand painted white lily flower on the bottle.

1985 Perrier-Jouet
Fleur De Champagne Special Reserve


ABOUT     
Perrier-Jouet

Perrier-Jouet, based in Epernay, the heart of Champagne, was founded in 1811 by Pierre-Nicolas-Marie Perrier-Jouet. The estate owns 150 acres of vineyards planted to 56% Chardonnay, 15% Pinot Meunier, and 29% Pinot Noir. In addition some 65% of the grapes used by the estate are bought from local growers. Perrier-Jouet is today owned by Pernod Ricard, a global spirits and wine company. Belle Epoque is Perrier-Jouet’s premier Champagne. One of Perrier-Jouet’s distinctive features is its Art Nouveau influenced label. In 1902 the noted French artist Emile Calle designed a bottle and an unapologetically beautiful label for Perrier-Jouet. The label was decorated with swirling, stylized flowers based on the Japanese anemone. The Art Nouveau label is still used today for the house's prestige cuvees.

REGION    France, Champagne

Champagne is a small, beautiful wine growing region northeast of Paris whose famous name is misused a million times a day. As wine enthusiasts and all French people are well aware, only sparkling wines produced in Champagne from grapes grown in Champagne can be called Champagne. Sparkling wines produced anywhere else, including in other parts of France, must be called something besides Champagne. Champagne producers are justifiably protective of their wines and the prestige associated with true Champagne. Though the region was growing grapes and making wines in ancient times, it began specializing in sparkling wine in the 17th century, when a Benedictine monk named Dom Pierre Pérignon formulated a set guidelines to improve the quality of the local sparkling wines. Despite legends to the contrary, Dom Pérignon did not “invent” sparkling wine, but his rules about aggressive pruning, small yields and multiple pressings of the grapes were widely adopted, and by the 18th and 19th centuries Champagne had become the wine of choice in fashionable courts and palaces throughout Europe. Today there are 75,000 acres of vineyards in Champagne growing Pinot Noir, Chardonnay and Pinot Meunier. Champagne’s official appellation system classifies villages as Grand Cru or Premier Cru, though there are also many excellent Champagnes that simply carry the regional appellation. Along with well-known international Champagne houses there are numerous so-called “producer Champagnes,” meaning wines made by families who, usually for several or more generations, have worked their own vineyards and produced Champagne only from their own grapes.

TYPE          Sparkling, Champagne

VINTAGE  1985 Perrier-Jouet Fleur De Champagne Special Reserve

RATINGS   93 Robert M. Parker Jr.

Robert Parker's rating system employs a 50-100 point quality scale (Parker Points®). It is my belief that the various twenty (20) point rating systems do not provide enough flexibility and often result in compressed and inflated wine ratings. The Wine Advocate takes a hard, very critical look at wine, since I would prefer to underestimate the wine's quality than to overestimate it. The numerical ratings are utilized only to enhance and complement the thorough tasting notes, which are my primary means of communicating my judgments to you.

96-100:
An extraordinary wine of profound and complex character displaying all the attributes expected of a classic wine of its variety. Wines of this caliber are worth a special effort to find, purchase, and consume.

90 - 95:
An outstanding wine of exceptional complexity and character. In short, these are terrific wines.

80 - 89:
A barely above average to very good wine displaying various degrees of finesse and flavor as well as character with no noticeable flaws.

70 - 79:
An average wine with little distinction except that it is a soundly made. In essence, a straightforward, innocuous wine.

60 - 69:
A below average wine containing noticeable deficiencies, such as excessive acidity and/or tannin, an absence of flavor, or possibly dirty aromas or flavors.

50 - 59:
A wine deemed to be unacceptable.

 

Scores in parentheses indicate that the wine was tasted from barrel.

Tasting Notes & Ratings

When possible all of my tastings are done in peer-group, single-blind conditions (meaning that the same types of wines are tasted against each other and the producers’ names are not known). There are exceptions to this policy with respect to (1) all barrel tastings, (2) all specific appellation tastings where at least 25 of the best estates will not submit samples for group tastings and (3) for all wines under $25. The ratings reflect an independent, critical look at the wines. Neither price nor the reputation of the producer/grower affect the rating in any manner. I spend three months of every year tasting in vineyards. During the other nine months of the year, six and sometimes seven-day workweeks are devoted solely to tasting and writing. I do not participate in wine judgings or trade tastings for many reasons, but principal among these are the following: (1) I prefer to taste from an entire bottle of wine, (2) I find it essential to have properly sized and cleaned professional tasting glasses, (3) the temperature of the wine must be correct, and (4) I prefer to determine the time allocated to the number of wines to be critiqued.

The numeral rating given is a guide to what I think of the wine vis-à-vis its peer group. Certainly, wines rated above 85 are very good to excellent, and any wine rated 90 or above will be outstanding for its particular type. While some have suggested that scoring is not well suited to a beverage that has been romantically extolled for centuries, wine is no different from any consumer product. There are specific standards of quality that full-time wine professionals recognize, and there are benchmark wines against which others can be judged. I know of no one with three or four different glasses of wine in front of him or her, regardless of how good or bad the wines might be, who cannot say, "I prefer this one to that one." Scoring wines is simply taking a professional's opinion and applying some sort of numerical system to it on a consistent basis. Scoring permits rapid communication of information to expert and novice alike.

The score given for a specific wine reflects the quality of the wine at its best. I often tell people that evaluating a wine and assigning a score to a beverage that will change and evolve in many cases for up to 10 or more years is analogous to taking a photograph of a marathon runner. Much can be ascertained but, like a picture of a moving object, the wine will also evolve and change. Wines from obviously badly corked or defective bottles are retasted, since a wine from a single bad bottle does not indicate an entirely spoiled batch. Many of the wines reviewed have been tasted many times, and the score represents a cumulative average of the wine's performance in tastings to date. Scores, however, do not reveal the important facts about a wine. The written commentary that accompanies the ratings is a better source of information regarding the wine's style and personality, its relative quality vis-à-vis its peers, and its value and aging potential than any score could ever indicate.

Here then is a general guide to interpreting the numerical ratings:

90-100 is equivalent to an A and is given only for an outstanding or special effort. Wines in this category are the very best produced of their type. There is a big difference between a 90 and 99, but both are top marks. As you will note through the text, there are few wines that actually make it into this top category because there are not many great wines.

80-89 is equivalent to a B in school and such a wine, particularly in the 85-89 range, is very, very good; many of the wines that fall into this range often are great values as well. I have many of these wines in my personal collection.

70-79 represents a C, or average mark, but obviously 79 is a much more desirable score than 70. Wines that receive scores between 75 and 79 are generally pleasant, straightforward wines that lack complexity, character, or depth. If inexpensive, they may be ideal for uncritical quaffing.

Below 70 is a D or F, depending on where you went to school. For wine, it is a sign of an imbalanced, flawed, or terribly dull or diluted product that will be of little interest to the discriminating consumer.

In terms of awarding points, my scoring system gives every wine a base of 50 points. The wine's general color and appearance merit up to 5 points. Since most wines today are well made, thanks to modern technology and the increased use of professional oenologists, they tend to receive at least 4, often 5 points. The aroma and bouquet merit up to 15 points, depending on the intensity level and dimension of the aroma and bouquet as well as the cleanliness of the wine. The flavor and finish merit up to 20 points, and again, intensity of flavor, balance, cleanliness, and depth and length on the palate are all important considerations when giving out points. Finally, the overall quality level or potential for further evolution and improvement—aging—merits up to 10 points.

Scores are important for the reader to gauge a professional critic's overall qualitative placement of a wine vis-à-vis its peer group. However, it is also vital to consider the description of the wine's style, personality, and potential. No scoring system is perfect, but a system that provides for flexibility in scores, if applied by the same taster without prejudice, can quantify different levels of wine quality and provide the reader with one professional's judgment. However, there can never be any substitute for your own palate nor any better education than tasting the wine yourself.

Source:
eRobertParker.com